The opening montage...
motion and confinement...
setting up clues to character and their instincts and behaviour...
contrast between chaos and order... juxtaposing static scenes with frantic motion... building tension... setting up obstacles
reflections using montage as a mirror, actions are duplicated
internal and external expressions
animal instincts
Deadly Outlaw: Rekka (Dir. Miike Takashi, 2002)
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The Cremator (Dir. Juaraj Herz, 1969)
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